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The title Looking for Consonance popped into my head one day as I began thinking about a name for this collection of music. This title immediately felt important, so I kept sitting with it. I thought I knew what consonance meant in music, but I also knew it carried other meanings—ones that extend well beyond sound. Webster’s Dictionary defines consonance as “the harmony or agreement of sounds produced simultaneously, resulting in a pleasing and stable auditory experience.” The word that stands out most to me there is stable. I think we’re all searching for something that resembles stability. Agreement and harmony would be incredible—but that kind of harmony would require people to give up some of their own certainty, their own opinions. And I’m aware that even gestures meant to honor life can provoke resistance or offense, as was the case with the naming of this band, our tribute to George Floyd.
I’m also fully aware that consonance and dissonance are subjective. I love both dense, asymmetric rhythms and atonal harmonies just as much as a simple major or minor triad, or the most stripped-down groove. Everyone has their own consonance–dissonance meter, and their own level of tolerance. In music, consonance is often defined in opposition to dissonance. Dissonance creates tension and instability, and it’s meaningful precisely because it can resolve into something more grounded and calmer. In that sense, dissonance isn’t the enemy of consonance—it’s a requirement. To find consonance, you must pass through tension. You must walk through the Fire Swamp (yes, I recently rewatched The Princess Bride) to get to a safe place.
But maybe I should have started with the word Looking because regardless of what consonance means to you, this record is about looking—about aspiration—about hope. I realized a few years ago that most of my music is either an experiment or an aspiration, and this one is both. I’m deeply grateful to Anna, Sarah, and Isis, who have enthusiastically gone on this journey with me.
John Hollenbeck
Montréal, Quebec
Canada
ALL COMPOSED BY JOHN HOLLENBECK except for #3 composed by Assi and Mansour Rahbani/arranged by John Hollenbeck and #8 composed by Silvio Rodriquez/arranged by John Hollenbeck
Thanks to: Rouba Rawda for diction assistance
Our gratitude to the venues that hosted us in 2024 — your spaces were instrumental in bringing this body of work to life.
The Outpost – Albuquerque, NM
The Ravenscroft – Phoenix, AZ
Paradiso – Santa Fe, NM
Willamette University – Salem, OR
Moody’s Bistro Bar & Beats – Truckee, CA
Reno Jazz Festival University of Nevada – Reno, NV
Campbell Bay Music Festival – SḴŦAḴ / Mayne Island, BC
Vancouver Jazz Festival, – Vancouver, BC
Toronto Jazz Festival, – Toronto, ON
Montreal Jazz Festival, – Montreal, QC
LOUD Weekend, MASS MoCA – North Adams, MA
Close Up NYC – New York, NY
New England Conservatory of Music – Boston, MA
The Lily Pad – Cambridge, MA
Myrtle – East Providence, RI
Wheaton College – Norton, MA
The Loading Dock – Littleton, Vermont
The Mill – Westport, New York
Jazzfest Berlin 2024 – Berlin, GERMANY
“The two-pronged synthesizer punch of Rossy and Magic sends Hollenbeck’s compositions to cosmic heights that bring a futuristic and celebratory Sun Ra vibe to them… On Looking for Consonance, Hollenbeck’s GEORGE is on a whole other level of harmony, sonics and monster beats.”
— Brad Cohan, THE NEW YORK CITY JAZZ RECORD